"Every edition is a conversation
between pressure and patience."
Original intaglio · screenprint · woodcut · monotype
The Work
Hover to reveal technique.
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How the Work
is Made
Every technique has its own logic, its own relationship between artist and material. The press is never neutral.
2–8 hrs
per bite
Acid bites into copper. The longer the plate sits in the mordant, the deeper the line — the darker the mark when ink is pressed into the wound and paper is laid against the plate.
Ferric chloride · copper plate · damp cotton rag
7 passes
per edition
Emulsion holds the image on stretched silk. A rubber squeegee pulls ink through the open mesh in one smooth motion. Seven passes. Seven layers. Each one registered by hand.
Photo emulsion · silk mesh · water-based inks
3–5 days
per block
The gouge removes material. The remaining surface carries ink. Cherry grain reads through every print — the wood's own history inscribed in the image.
Cherry wood · gouge set · oil-based relief ink
1/1
always unique
Paint on glass. Lay paper. Press. Lift. The image transfers once — unique, unrepeatable. The ghost left on the plate becomes its own work.
Glass plate · oil paint · Somerset Velvet
The Catalogue
Each edition printed by hand. Colophon, signature, and edition number on every work.
Tidal Compression
Intaglio Etching
Hahnemühle Copperplate 300gsm
56 × 76 cm · 2025
5 of 15 remaining
Silk Pull No. 7
Screenprint, 7 colors
Fabriano Rosaspina 220gsm
70 × 100 cm · 2025
8 of 20 remaining
Aquatint Fog
Aquatint
Arches BFK Rives 250gsm
45 × 60 cm · 2024
Sold out
Field Study
Linocut
Hosho Japanese 90gsm
30 × 42 cm · 2025
6 of 15 remaining
Join the Pull List
First access to new editions before they're announced. Occasional studio notes on technique, material, and the work in progress. No noise.